Star Wars: The Rise of Skywalker
– for sci-fi violence and action.
Director: J.J. Abrams
Starring: Daisy Ridley, Adam Driver, John Boyega, Oscar Isaac, Carrie Fisher, Keri Russell, Mark Hamill, Naomi Ackie, Lupita Nyong’o, Billy Dee Williams, Domhnall Gleeson, Anthony Daniels, Joonas Suotamo, Billie Lourd, Kelly Marie Tran, Ian McDiarmid
Running Time: 2 hours, 22 minutes
Theatrical Release Date: December 20, 2019
Blu-Ray Release Date: March 31, 2020 (Target.com)
The surviving Resistance faces the First Order once more in the final chapter of the Skywalker saga. (from IMDB)
NOTE: This will be as spoiler-free as possible for Star Wars: The Rise of Skywalker, but I will be openly discussing plot elements of The Force Awakens and The Last Jedi (and the original movies), therefore reflecting on spoilers of those movies.
So how exactly do you wrap up a saga that spans 42 years of storytelling over the course of 9 movies? Love them or hate them, the films that have been made in the Star Wars franchise since creator George Lucas sold it to Disney in 2012 have been a mixed bag, seeming even completely devoid of direction and purpose at times. It’s greatly divided the fanbase — probably even more so than the prequel trilogy (which were made by Lucas’s own hands) in the early 2000’s did — but has also broadened the franchise’s reach under the control of Disney. 2015 saw the release of the seventh installment of what is now being called The Skywalker Saga, The Force Awakens. Celebrated director and producer J.J. Abrams took the helm, leaving the Star Trek reboot series (after two films) to take on one of his biggest passions in Star Wars. The Force Awakens ended up topping the all-time domestic box office chart, overthrowing James Cameron’s Avatar. It quickly was adopted by fans new and old alike, but was also maligned for largely being a retread of the 1977 original film (mimicking a lot of the story beats and characteristics of that film). Furthermore, it did the unthinkable in many fans’ eyes by killing off one of the franchise’s most beloved characters in Harrison Ford’s Han Solo (I still have trouble watching that scene). It also disappointed many fans who had not only expected to see Luke Skywalker’s mighty return, but who had also hoped to see the trio of Han, Luke and Leia reunite for the first time in over thirty years. In 2017, we were treated to the next episode, now helmed by a different director in Rian Johnson, The Last Jedi. The film picked up right after the events of The Force Awakens, and immediately it felt as if Johnson was tossing out much of what Abrams had set up and was trying to forge a new path. And in that film, fans not only didn’t get to see Luke be the hero again that fans know him to be, but Johnson killed him off as well. Then, to further complicate things, actress Carrie Fisher, who played the iconic Princess Leia Organa, suddenly died in late 2016, disrupting any established plans for the third and final chapter of this new trilogy.
What now? What’s even left to explore?
The original plans for Episode 9 involved Jurassic World director Colin Trevorrow completing the trilogy and 9-movie saga. However, in the wake of Fisher’s passing, Trevorrow’s involvement fell apart, leaving the film’s director’s chair vacated. But it only seemed to make sense to bring Episode 7 director Abrams back to wrap things up; it just seemed like a no-win situation. Many fans absolutely despised The Last Jedi — from the way it handled Luke and the way it didn’t provide answers to big questions The Force Awakens proposed, to the inconsistent tone and Luke’s demise — so Abrams would certainly have his work cut out for him to try to pick up the pieces of the franchise and finish it off in a satisfying way.
The term “fan service” is something I’ve been hearing a lot to describe The Rise of Skywalker. Its title alone is curious and seems like an answer to the backlash over The Last Jedi. But “fan service” is an apt way to describe The Rise of Skywalker. The Last Jedi had been a big hit with critics and a dud with the core fanbase, while The Rise of Skywalker seems to be dividing critics quite a bit. But which group is the target audience of Star Wars? What is it about the franchise that attracts fans to it — and so passionately? That seems to have been the topic of many discussions when Abrams and his team gathered in the planning room for Episode 9.
The Rise of Skywalker seems like everything a diehard fan who has been growing disenchanted with the current state of the franchise might hope for. It works in lots of classic visuals and callbacks, and continues the story restarted by The Force Awakens. While Awakens was a bit of a “soft reboot” in that it launched a new storyline while continuing the original one, it weaved in all these new threads and mysteries that fans wanted answers to. And one of the problems with a franchise that’s so frequently – and relentlessly – scrutinized as much as this one is, is that fans can’t seem to like something if it doesn’t quite “make sense” to them when filtered through pre-established rules and lore established within this fictitious world. The Rise of Skywalker sets out to explain a lot, to the point that it’s almost funny in retrospect, but the way Abrams handles it is quite impressive, considering. Avengers: Endgame, which released earlier this year, was wrapping up only 10 years of a storyline, but that one consisted of over 20 movies, which is certainly daunting. Its grand finale was fan service at its best, even if it did seem silly at times. But what good is entertainment if it can’t high-five and hug its most devoted fanbase at times? (After all, these sequels wouldn’t even exist without its fanbase! And The Last Jedi, as good as a story it was at times, seemed to be a prime example of what forgetting that looks like. Still, let’s be honest; diehard fans are extremely hard to please.)
Without giving much away, The Rise of Skywalker may very well be the fastest-paced and most action-packed entry into the Star Wars saga. It’s filled to the brim with story elements and plot points, but it’s constantly driven by action. Just when you think it may let up for a moment, something else happens. In a lot of other movies, this would often be considered a bad thing (and maybe it is here to some degree), but for the most part, the movie still works as it is. I revisited all eight Episodes (and 2016’s Rogue One) in preparation for seeing Episode 9, and I noticed just how thoughtfully paced the original trilogy was–with only Return of the Jedi seeming the most chaotic of the three. Political dogma, terrible dialog and wooden acting plagued the prequel trilogy (making them particularly dull at times — especially since the impressiveness of their visuals has long worn off), while the pace is a lot quicker in the Disney sequel trilogy. Things move at an almost exhausting pace in The Rise of Skywalker. The first quarter of the film, or so, feels almost rushed, with scenes skipping around in an almost highlight reel fashion as the film tries to pack what feels like two movie’s worth of storytelling into one. But this movie is a real ride; I found myself swept up in it and loving nearly every moment — every little development, twist, reveal, cameo, and action sequence. It’s not a perfect movie, and maybe some of the plot developments are silly or too “convenient,” but I found it to be fun, emotional, entertaining, and even touching. There were happy and sad tears, even.
I’ve often said that it depends on how the following films tell the story that would affect the way I would process and enjoy the ones before it. For example, my favorite Star Wars movie is, and probably always will be, The Empire Strikes Back, but if you look at it closely, it not only breaks up the original trio into different directions for almost the whole film, but it freezes Han Solo in carbonite, sees Luke get defeated by Vader, and the heroes ultimately losing. Oh, and it kind of ends on a cliffhanging note that’s a bit of a downer. (At the same time, though, it has that unforgettable Hoth opener, introduces Yoda, serves as a wonderful analogy for learning to live life as a Christian as Luke trains to be a Jedi, faces off Luke and Vader in an epic–and costly–lightsaber duel, and introduces the city of Bespin and Lando Calrissian!) But it’s a pretty deep story with some great emotional moments. However, I don’t think I’d enjoy it as much as I do if it weren’t for Return of the Jedi making everything right and ending the story on a happy and celebratory note. The Rise of Skywalker does kind of right some of the “wrongs” or bittersweet aspects of The Force Awakens and The Last Jedi, and I’m curious to see how processing this movie will affect how this Disney trilogy plays out as a 3-part arc.
The content, though, for The Rise of Skywalker is surprising. For starters, it’s considerably darker and even scarier than all of the previous episodes — maybe even combined. We took our 9-year-old, Star Wars-loving son with us to see it and he cowered in his seat almost the entire movie. (He even said about halfway through that he didn’t want to watch it anymore, but I encouraged him to stick it out and he was super excited about a lot of the things that followed.) Aside from Anakin being dismembered, catching on fire, burning up, and then seeing him writhing on an operating table looking scarred and scabbed over in Revenge of the Sith, this may be the most gruesome of the Star Wars movies. It starts with us seeing heads and torsos of a couple bodies floating in a tube of liquid and then a zombie-like character with white eyes and fingers that are gnarled and missing pieces of them. Soon after, we see the decapitated head of an alien tossed onto a conference room table. After that, there are a couple instances where we see a wound close up in detail as it heals up (one of the times being surprisingly “gory” for Star Wars). And, during the finale, several characters have bloody cuts and abrasions across their heads and hands. There’s some mild language in the film, once again, with several uses of “h*ll,” “d*mn” and a use of “*ss,” almost all by Oscar Isaac’s Poe Dameron. And, lastly, and most frustratingly, is the inclusion of the franchise’s first same-sex kiss right at the end of the film. As what must be another kind of “fan service” for a very specific, but very vocal, group of fans, two nonessential Resistance women are seen sharing a passionate, happy kiss on the lips before the film’s end. It’s focused on in a way that feels very deliberate and very brazen, despite it literally having absolutely nothing to do with the story or plot. It feels entirely out of place and deliberately controversial — so much so that it felt especially jarring in that moment (Yet, I had a sinking feeling it was coming, oddly enough). For a franchise that’s avoided this kind of content for 42 years, it was really disappointing to see — and all for the sake of being inclusive (which makes a timeless tale like Star Wars suddenly feel painfully “2019” in nature).
By this third film, I feel as though Daisy Ridley as Rey, John Boyega as Finn and Oscar Isaac as Poe have earned their place in the Star Wars universe. None of them will ever match or replace Luke, Leia and Han in my heart, but I feel like all of them — Adam Driver as Kylo Ren included — finally have developed with this film into characters we could care about. Their acting has been solid, and Abrams gave each one moments to shine in this installment. It was also great to see Chewbacca and C-3PO get some well-deserved focus once again, and I even enjoyed some of the new characters, particularly Keri Russell’s Zorii Bliss.
Star Wars: The Rise of Skywalker will probably still be polarizing within the fanbase to some degree, especially amidst the fallout of The Last Jedi, but it’s a pretty fun ride that manages to cover a lot of ground and tie things together while staying engaging from start to finish. Despite being a bit rushed at times, and maybe too focused on fan service, Star Wars: The Rise of Skywalker is a good time at the movies and a satisfying end to the direction the franchise has taken since Disney took the reins. It’s hardly the best of the 9 films, and I’m eager to see how it holds up to rewatches, but after my initial viewing, this life-long Star Wars enthusiast was very satisfied with Star Wars: The Rise of Skywalker.
– John DiBiase (reviewed: 12/20/19)
Blu-Ray Special Features Review
NOTE: This section does contain some SPOILERS for this film and the Star Wars film series.
The Blu-Ray combo pack of Star Wars: The Rise of Skywalker includes the feature film in stunning Blu-Ray and a digital HD copy, along with the following Extras:
My Thoughts Star Wars: The Rise of Skywalker after a few more viewings: I’ve seen the movie a couple times now since its release and, each time, I still find myself swept up in the adventure of the film and enjoying it while watching it — much like The Force Awakens (except for Han’s fateful confrontation with Kylo Ren) and The Last Jedi — but I find it easy to find all the faults with this sequel trilogy after watching them. I know plenty of people that abhorred Rise of Skywalker and can’t find much merit in it, and I can understand some of their feelings very easily. However, I know just as many who either really liked it or loved it, in spite of its flaws, and I can also understand and agree with a lot of that as well. The sequel trilogy is a very polarizing series, and Disney’s current agenda, which is unmistakable, along with disappointing plot points and events (including Carrie Fisher’s passing and how that affected the series–or Luke’s fate and demise in The Last Jedi and how that affected episode 9 as well), make it tough to just blindly embrace and love this new series. While diehard Star Wars fans — like JJ Abrams and Rian Johnson — were involved in these films, there’s this odd feeling that Disney took the positive button on the series that was Return of the Jedi, which redeemed Vader and solidified Luke Skywalker as the series hero, and said, “Nope. It’s not some farm boy named Luke, it’s a mysterious girl with Force powers that come easily to her named Rey” and sought to undo everything fans knew and adored about the series. Despite that in mind, each of these sequel films have some really great moments, ships, characters, and music, so I find it nearly impossible to completely dismiss them. I think it’ll be really interesting to see how time treats these movies. I enjoyed the prequel trilogy when they released, but while I enjoy aspects of them, now I find them so rife with problems and flaws (like the dull pacing, over-reliance on CGI, wooden acting and terrible dialog). With nine movies making up what Disney now calls The Skywalker Saga, I still find Star Wars: The Empire Strikes Back to not only be my favorite film of the series (and my second favorite film of all films, behind 1984’s Ghostbusters), but to be the very strongest of all of the Star Wars entries so far. As a side note — I did rate Rise of Skywalker as a 4.5/5 when I first saw it, but after seeing it again and having conversations with those who were extremely bothered by its flaws, I knocked it down to a 4/5. It’s probably a 3.5/5 movie, but I still really enjoy it and can’t shake how it makes me feel while watching it. Sure, it’s kind of a mess with A LOT jammed into its 2-hour-and-22-minute runtime (which could have definitely benefitted from a longer runtime for some room to breathe and flesh some things out), but it’s still a lot of fun – with some fun scenes, nods to the series, and solid acting.
Digital Exclusive: The Maestro’s Finale (11:05) – John Williams has scored all 9 episodes of the Star Wars “Skywalker Saga,” and this featurette is a beautiful tribute to his musical legacy. Director JJ Abrams admits that he was most excited about doing episode 9 when he knew it meant he got to work with John Williams again. Here, we see clips of him in 1980 watching scenes from The Empire Strikes Back and discussing the musical (and character) themes. We also see clips of previous recording and writing sessions, as well as new sessions for this one. (He still writes his music by hand, which is awesome!). We see the moment from The Force Awakens session where he presents Daisy with Rey’s theme, and he talks about how her theme matured for this installment, as well as transitioning Ren’s dark theme into Ben’s heroic theme (which was JJ’s idea). We then see a moment from Williams’ final Rise of Skywalker scoring session, which even Steven Spielberg and Mark Hamill showed up for. Finally, they talk about reusing the exact notes for Yoda lifting Luke’s X-Wing from Empire for when Luke lifts it in episode 9. And, of course, Williams talks about getting to use Leia’s theme one last time. (1 “Oh my G-d”)
The Skywalker Legacy (2:06:12) – This is an awesome feature-length making-of documentary about creating The Rise of Skywalker, but also wrapping up all 9 films. It opens with incredible behind-the-scenes footage from the original trilogy, and then goes to behind-the-scenes of making episode 9 and the first days of filming, and JJ returning to the franchise. John Boyega and Daisy Ridley talk about the anticipation and what it felt like first working on episode 7. It’s a moving documentary that frequently references quotes and interviews and B-roll footage from the original trilogy to parallel the new trilogy and characters. We see Lando’s return here and footage from Empire Strikes Back when he first debuted. There’s then a lengthy, and interesting, segment where they discuss trying to figure out how to keep Leia in the final film, despite Carrie Fisher’s death in 2016. They decided to take her unused footage from The Force Awakens and write new scenes around the footage. They then would film the scenes to work around her footage. It’s really interesting to see how they accomplished this. Her daughter, Billie Lourd, who appears in the new movies as a Resistance fighter, was present for the filming and talks about the experience. We also learn here that Billie performed her mother’s role for the flashback lightsaber training fight between Luke and Leia. We then see some stunt training and filming for Daisy and Adam Driver, and then a series of bloopers from past and present (Here, there’s a barely-bleeped run of Domnhall Gleeson as General Hux using the “F” word as he messes up lines). Things move to the on-location desert filming in Jordan, C-3PO being back and having a more significant role, the alien celebration in the desert and the Jordanians training to play the aliens. We then see how they did the sinkhole effect, with the actors sinking through beans into a dug-out pit underneath, and then that they built a full-size snake puppet to act out the scenes underground in a built set. (It’s neat how they parallel the snake with Jabba’s puppet from Return of the Jedi.) They show how they filmed Daisy doing Rey’s leap over Kylo’s ship on wires, the first fight between Kylo and Rey during their Force-connection, and the set used for the “snowy city.” We hear from Keri Russell about playing Zorii Bliss, get a look at how they brought the puppet Babu Frik to life, and John Williams’ neat cameo (complete with an emotional introduction to him and a reveal that ALL of the “junk” around him in that scene are props designed to represent one of each of the 51 movies he earned an Oscar nomination for!). It then transitions to him scoring, with some repeated footage from the “Maestro’s Finale” featurette. We get a look at them building Babu Frik, and they parallel that to the building of Yoda for Empire. Anthony Daniels then talks about C-3PO’s sacrifice, we see the introduction of Jannah, and the documentary moves us to the Death Star wreckage set. We hear about the designing of the knife, the throne room set, finding the right sound to represent the wreckage, and seeing how that incredible lightsaber fight between Rey and Kylo came together (Poor Daisy!). Before the documentary wraps up, we get a little look at Han’s cameo, Luke’s return and raising the X-Wing, Wedge’s brief return, the large set built for the cavalry charge on the Star Destroyer, and the finale celebration. It concludes with a revisit to Luke’s home, the end of Return of the Jedi, and tying it all together. Daniels also gives us an emotional farewell with a look at his final day of filming. In the end, there’s a sincere love for Star Wars that’s conveyed here and it looks like most everyone had a lot of fun making this movie. (5 “h*ll,” 6 “Oh my G-d,” multiple bleeps of the “F” word from Hux in one short scene)
Overall, it’s a wonderful documentary, but even at two hours, it still feels like it misses on touching on some obvious things. They only briefly address Rey’s lineage as being a Palpatine and their original plans for her from the beginning. The whole finale on Exegol is mostly avoided, with zero mention of the returning Jedi for the end. There’s been unconfirmed rumors floating around that physical footage of the Jedi appearing as ghosts was filmed but ultimately cut, but they still could have talked about the voices of the past making an appearance here (and shown those actors hitting the studio to record audio) — that was pretty huge! So if you’re looking for deeper insight into the plot and answers to questions you might have, chances are you won’t find them here. Maybe a release down the road will have deleted scenes and commentary? Or perhaps Disney is saving that as an exclusive for their Disney+ streaming service.
Pasaana Pursuit: Creating the Speeder Chase (14:17) is about designing the speeder’s look, building a rig for the actors to perform on, and testing it in a CGI environment and then with a movable mount. We then see that they took the rig on location to Jordan, but on a gimbal against green screen in the desert (which confused the actors, like Oscar Isaac). Overall, the final effect seemed to work out pretty well. (1 “h*ll,” 1 “d*mn).
Aliens in the Desert (6:00) – For the celebration in the desert, the crew moved their filming units from the UK to Jordan. The shoot employed 600 UK crew members that were all brought in, and 200 local Jordanian crew members and extras. The featurette treats the film crew as the ones who were “alien” to the land of Jordan. It’s a neat little segment.
D-O: Key to the Past (5:34) is about the ship D-O is found on and its design, and then it focuses on the droid himself. They talk about JJ performing the voice for the new character, and show a little bit of how the puppet was performed.
Warwick & Son (5:38) – I guess I didn’t realize that the ewok cameo at the end was none other than Warwick Davis reprising his role, who played Wicket the ewok when he was 11 years old for Return of the Jedi! Warwick talks about the experience, and how he’s appeared in many of the newer Star Wars films in some form, and we learn that the other ewok in the brief shot of him in Rise of Skywalker was his real-life son, Harrison, playing Wicket’s son!
Cast of Creatures (7:45) covers a wide array of new creatures and their design, as well as a behind-the-scenes look at how some of them were made and performed — including Maz’s new puppet version of her character!
Galleries — There are 3 photo galleries, including: Pproduction Photography (89 behind-the-scenes photos), Posters (22 promotional posters), and Concept Art (70 pieces of artwork)
– John DiBiase, (reviewed: 3/29/20)
Parental Guide: Content Summary
Sex/Nudity: In one of the final scenes, we see two women of the Resistance kiss on the lips.
Vulgarity/Language: 1 “d*mmit,” 1 “d*mn,” 3 “h*ll,” 1 “*ss”
Blood/Gore: (Some SPOILERS ahead) The camera passes by what looked like a couple heads and most of a body floating in a large tube; A zombie like humanoid figure has pieces missing from the ends of their fingers; We see a severed alien head with some goo land on a conference table; A snake-like monster has a couple gashes on its side. A character places their hand over the wound and we see the wound close up; A character has a bandage around their leg with a blood spot; An arrow goes through a stormtrooper’s helmet visor (there may have been a little blood); We see a close-up of a deep and gory wound in a person’s stomach (through a hole in their shirt) and then see it slowly heal up; Rey has some blood on her forehead and hands during several scenes; Kylo has blood on his hands and face during several scenes; We see a character’s gnarled and boney fingers regenerate slowly in the foreground of a scene; We see a character slowly errode away by lightning, with their skin peeling back and flaking off (and such) in the process.
Violence: (Some SPOILERS ahead) A lot of sci-fi violence, including: We see the camera pass by what looked like a couple heads and most of a body floating in a large tube; A zombie like humanoid figure has pieces missing from the ends of their fingers; We see a severed alien head with some goo land on a conference table; Stormtroopers chase our heroes on speeders and we see their vessels crash, throwing the troopers. Some of them have jetpacks that crash and explode, killing them; An arrow goes through a stormtrooper’s helmet visor; A group of characters are sucked into a quick sand pit but end up being okay; A large snake-like monster threatens our heroes, but a character uses the Force to heal a wound it has on its body, causing it to retreat; A character shoots another character in the leg and they fall over. We then see the victim walking with a cane and having a bandaged leg, but they are then shot in the chest and killed; We see a flashback of an alien stabbing a man in the stomach (just below the screen), killing him and his wife; Kylo Ren and Rey have a couple lightsaber fights, usually with varying degress of destruction; A character lies down on a bed and appears to die; A person is impaled with a lightsaber; We see a close-up of a deep and gory wound in a person’s stomach and then see it slowly heal up; Two characters ues the Force in a tug of war over a transport ship that is flying away. They unintentionally cause it to explode; A character is shot in the arm and falls to the ground. They are then held at gun point to be executed, but someone shoots their captors, allowing them to escape; We see a Force vision of a Sith with a menacing presence attack a Jedi; There’s a large-scale space battle with a high death toll and lots of destruction; A character is seemingly thrown to their death; We see a flashback of two siblings fighting during training; Some characters carry out missions thinking they won’t make it back; A couple characters hang off a crashing starship, unsure they’ll survive, but are rescued; Rey has some blood on her forehead and hands during several scenes; A character is surrounded by warriors and must fight them off. We then see several of them impaled by a lightsaber; Kylo Ren has blood on his hands and face during several scenes; We see a character’s gnarled and boney fingers regenerate slowly in the foreground of a scene; We see a character slowly errode away by lightning, with their skin peeling back and flaking off (and such) in the process. A person cradles a dead person’s body until they come back to life; We see a dead person’s body fade away; And other sci-fi violence.