Arthur Curry learns that he is the heir to the underwater kingdom of Atlantis, and must step forward to lead his people and be a hero to the world. (from IMDb)
Sadly, last year’s Justice League did little to spark my interest in the character (or follow-up film) Aquaman–despite its intentions to. Jason Momoa is more of a “surfer dude” type to be playing the iconic blonde-haired, orange-and-green suited superhero of the ocean, but Justice League didn’t do much more than to paint the character as a caricature. Now, a year later, a standalone Aquaman movie is performing incredibly better at the box office and is doing everything Justice League should have done to not only further establish the DC Comics cinematic universe, but also introduce brand new characters to audiences abroad. Like Patty Jenkins did for Wonder Woman last year, James Wan has done for the King of the Sea, further proving these heroes fair better on their own than in a high concept collective film.
The trailers also did little to get me pumped for an Aquaman outing, which is sad because the film actually turned out to be quite good and a lot of fun–especially presented in a larger format like IMAX. The aspect ratio changed frequently throughout the film to fill the screen during the action and underwater sequences. And while I’ve become numb to the over-use of CG in films (i.e. it’s not all that impressive anymore, like in The Meg, for example), director James Wan and his team used the technology quite effectively in Aquaman. The underwater scenes–particularly when Mera takes Arthur through Atlantis–really are breathtaking. With this film, the IMAX format was truly immersive, so I felt it truly brought out the best the movie had to offer.
Last year’s Justice League introduced Jason Momoa as Arthur Curry/Aquaman to the world (I don’t think the tiny cameo in 2016’s Batman v Superman: Dawn of Justice really counts). Momoa has carved out celebrity status on his own as Conan the Barbarian in the 2011 remake, Game of Thrones, and on shows like Stargate: Atlantis (coincidentally), and even Baywatch. He’s not exactly who I’d imagine Aquaman from the comics to be, but he proves to make it work in this film. The strength of Momoa as Aquaman, though, is really only as strong as the players–and film–around him. And Aquaman is actually just as much about his family, the world around him, and the journey to truly becoming Aquaman as the character himself. The story feels like it takes a bit more of an outside-looking-in approach to Arthur and his journey, but it may also have a lot to do with how much story is getting packed into just one film. The movie is a lengthy 2 hours and 23 minutes–and it feels like it. Amber Heard stars opposite Momoa as the female lead, playing Mera of Atlantis, and is an inspired choice to match him. Patrick Wilson, who has probably starred in more movies you’ve seen than you realize, is an interesting choice for the film’s central villain, but he works marvelously–not overplaying the villainy too much, and serving as a snotty, throne-hungry foil to Arthur. Willem Dafoe, who typically plays a villain or some other ruthless character, is excellent as Vulko, the king’s assistant. It’s really nice to see Dafoe as a good guy for a change. Temuera Morrison and Nicole Kidman play Arthur’s parents, and they’re a great focal point to the story, also serving as an integral part of it. The film has a wonderful opening, showing us how they meet (and colliding our world with Atlantis), and it’s the perfect start to the film. Overall, it’s a really solid cast assembly.
I revisited Justice League after watching Aquaman, because I was curious how the two films gel with continuity. In Justice League, Arthur seems to be somewhat already established as this legendary “Aquaman.” He and Amber Heard’s Mera even share a scene where she urges him to help Atlantis since he’s a rightful heir to the throne, with a whole lot of exposition about his background (the history involving his mother is a bit sketchy in that scene too. He seems mad at her more than anything… which isn’t the case in this film). In Aquaman, which clearly takes place after Justice League (Mera even mentions him defeating Steppenwolf), Arthur acts as if he’s never met Mera and doesn’t even know her name. It just further demonstrates how sloppy DC has been with how they’re handling their films. The standalone outings still prove to be the best entries in this series of films (Man of Steel, Wonder Woman and now Aquaman), and it makes one wonder why the studio couldn’t have taken the time to set up each characters’ films individually before attempting to jam them all into one movie together. Also, having Justice League happen prior to this movie leaves one curious plot hole that I read questioned when Iron Man 3 released. As Tony Stark called out The Mandarin and had his cliff side mansion blown to bits and sent to the bottom of the ocean, where were the other Avengers? Really no one rushed to his aid? In Aquaman, the coastal waters all around the world start slamming land and crashing ships into cities and hurling out piles of garbage… and not one of the Justice League seem interested in this? Where’s Superman? We know he’s alive again. It’s a minor gripe, of course–especially since this is Arthur’s show–but if this is an established shared universe, surely another superhero would be interested in helping out or helping to stop something as catastrophic as that (and we know Superman senses danger, so surely he’d try to help, and then try to locate Arthur to find out what’s up?).
One other thing that kind of irked me was some of the character design. I surely can appreciate a movie trying to stay faithful to its source material, but I’ve definitely gotten used to things being changed a bit to make it work for a live action, cinematic setting (like, seriously, thank God those little wings sticking out of Captain America’s helmet were left off, for example). However, the designs for some of the Atlantian armor, as well as Black Manta himself, look lifted right out of the cartoony, campy world of the 90s television show, Power Rangers. One quick web search of Black Manta will reveal just how authentic the character design for the film was to the comic books, but in the context of the film, it looks ridiculous, and it just doesn’t fit. (I mean, really–who can take that design seriously? Sure, it might freak you out if you saw it in real life, but there’s something so undeniably campy about how it looks in the movie that it just makes you wonder how it made it to the big screen. The same goes for the ultra-bulky, ultra plastic-looking armored suits of the Atlantians. I get that they need to remain hydrated on land, and they were probably aiming for a more crab-shell-like design, but it’s really cheesy looking on screen. Thankfully, the movie is way better than these little issues, but I do think it could have been better had someone just stopped to really question how this might play out on screen.
The content in Aquaman is on par with most superhero films, but is really only intense in a handful of scenes. However, when it gets rough, it’s a bit rough. One of the opening scenes shows Manta and his band of pirates taking over a submarine, and he impales a crewman with a blade on his wrist at one point (and we see it sticking out of the victim’s back at one point). Later, when Manta has a rematch with Aquaman, the villain stabs and slices him up pretty badly, with a spray of blood even flying from his back at one point as he gets tossed through the air (Aquaman’s wearing a shirt, so it’s not especially graphic, but it’s a little surprising when it happens). Finally, there’s a scene where some characters venture into “the trench” and we see swarms of really frightening fish-people-like creatures that are sure to terrify younger viewers. There’s a fight scene with them that’s a little gruesome, but given their fish-like nature, it’s not exactly disturbing or unsettling. There’s no real sexual content present, save for some cleavage in Mera’s low-cut outfit, and some kissing. Profanity is infrequent, but there’s roughly 3 “S” words and a handful of uses of “h*ll,” “b*stard,” and “*ss,” (and 1 “S.O.B”) as well as a few other minor cuss words. The only blasphemy noticed was one use of “My G-d” as an exclamation, which was a refreshing change from these types of movies that tend to have no respect for the Savior’s name.
Aquaman is a sweet surprise. It’s another example of having low expectations and writing off a movie early on and then being pleasantly surprised by it. It’s not perfect by any means, but it’s a great time at the movies, and tailor made for IMAX viewing. Hopefully the success of the standalone outings of Wonder Woman and Aquaman can inspire DC to take some time to reevaluate what works and how to proceed with the future of their own cinematic universe. I’m definitely on board for a future Aquaman installment, but until next time, though, I’m at least excited for Wonder Woman 1984 in the summer of 2020.
– John DiBiase (reviewed: 12/30/18 – 1/1/19)
4K UHD / Blu-Ray Special Features Review
Aquaman arrives on 4K UHD, Blu-Ray in a DVD/Digital HD combo pack, on DVD, 3D Blu-Ray (although it seems hard to find) and through the usual digital providers. It’s one of the most vibrant and colorful 4K’s I’ve seen yet.Aquaman in 4K UHD – Blu-Ray is pretty much the must-watch format these days; DVD is just substandard in almost every way (though, occasionally you get a shockingly good one); so formats like 4K UHD and 3D are just gravy. Not every film seems to warrant a 4K viewing, and not even all 4K transfers are truly 4K resolution, but there exist some movies that just scream to be viewed in this format. Granted, it often all depends on your own TV’s settings–to get the most out of the color and clarity, for example, but for the most part, you’re going to get the best, most clear and most colorful picture with this format. Aquaman is visually stunning. It looked amazing on an IMAX screen, and really felt immersive, but the 4K format truly pops color. The movie relies heavily on special effects and is stuffed to the brim with little details; the 4K really brings all those details out–and the bioluminescent undersea scenes are simply gorgeous!
The special features on the Blu-Ray disc and iTunes Extras include the following:
Allies & Enemies – On iTunes, this feature offers description cards with comic art for the characters of Aquaman, Mera, Atlanna, Orm, and Black Manta.
Becoming Aquaman (13:04) centers on casting Jason Momoa as the title character, and the actor having to keep the secret for a long time. We learn here that the movie actually shot for 114 days and Jason had to spend 2 months away from his wife and kids, which he considered torture (being a family man). We see him practicing stunts on rigs as he talks about the physical challenges of the role. Momoa also shares his excitement over how they included Polynesian things into the story to represent his heritage. And given that Arthur Curry is a man from “two worlds,” he can relate to it because of his mixed heritage. It’s a really touching featurette that helped me appreciate both Jason and the character more. (1 “S” and some bleeped language)
Going Deep Into the World of Aquaman (19:28) is about designing the new world for the movie. Director Jason Wan talks about creating so many new things for the film, and how there were no easy shots in the movie. They were just figuring a lot of it out as they went along. The actors had to endure a lot of rig work that wasn’t comfortable at all, in an effort to achieve the floating underwater look. However, while the film relies so heavily on digital effects, they still built a lot of sets practically, too, and the featurette runs through multiple scenes, including: the submarine, galley, recreating a Sicily town, and the lighthouse. Finally, it focuses on designing Aquaman’s armor and having to invent a brand new kind of paint for it to achieve the metallic look and still be rubbery.
James Wan: World Builder (7:43) is about Wan creating the undersea world from scratch, using the comics and real life Atlantis legends as inspiration. Wan got involved in designing, too. They also talk about the challenge of making hair move underwater and how the characters would talk underwater.
The Depths of Black Manta (6:39) – The villain Black Manta first debuted in the comics in 1967. Here we get a brief history of the character, and the actor who played him, Yahya Abdul-Mateen II, goes through the tech that his movie character uses. This did help me appreciate the character a little more, knowing the history and hearing Yahya talk about him. (Although, I still think it looks kind of goofy on screen.) (2 “bad *ss”)
Heroines of Atlantis (5:32) is about having strong female characters in the film — particularly Mera and Atlanna — and how they affect and drive the story.
Villainous Training (6:22) shows us how the film’s main villains — played by Patrick Wilson and Yahya — worked out a lot to build up their physiques so they would be formidable foes for Aquaman. (3 “a” words, 1 “d*mn”)
A match made in Atlantis (3:12) – This featurette focuses on Arthur and Mera, but also the chemistry between Jason and Amber — how they’re similar and got along great together on set. (1 “a” word)
Atlantis Warfare (4:40) focuses on the massive battle at the end of the movie and the various ships we see populating the fight.
Creating Undersea Creatures (7:15) – For the movie, the filmmakers talked about embracing the iconic comic visuals and trying to make them cooler (like the oft-joked about visual of Aquaman riding a seahorse). We get a look at designing the fish people and the different animals being ridden by characters. They also talk about the trench creatures and the crab people, who were actual mutated crab creatures and not people in suits. (1 “bad *ss”)
Aqua-tech (5:43) focuses on the technology used and developed to make this film. They used previsualization tech live during filming so actors (and the director) could see what any given green screen shot would look like on film. They also used VR so they could map out the scenes ahead of time.
Scene Study Breakdown (10:16) – This section covers three scenes with a Play All option. “Submarine Attack” (2:45) was actually the film’s first day of shooting. They talk here about the difficulty of fighting in a small space and how this scene introduces us to several important characters (like Aquaman and Black Manta). “Showdown in Sicily” (3:55) shows them planning out shots using models to walk the camera through. They then show us how they did some of the neat continuous shots we see in the film (like the Atlantian running through the walls chasing Mera). “The Trench” (3:36) returns to Wan’s horror roots (since he wrote and directed the first Saw film, and directed both The Conjuring movies, among others). He talks about playing with the light during this scene, and giving us a split screen shot of the action above and below the water.
Kingdoms of the Seven Seas (6:59) – Dolph Lundgren hosts this featurette about the character of Aquaman and the legends of Atlantis.
Shazam! Sneak Peek (3:27) – This opens briefly feeling like a trailer but then ends up being an extended scene lifted from Shazam!. In the scene, Billy confronts his friend right after getting the powers and tests out some of the things that he can do. I loved Zachary Levi in the show Chuck and I have to admit I’m looking forward to this movie! (1 “S” word, 2 “Oh my G-d”)
– John DiBiase, (reviewed: 3/24/19)
Parental Guide: Content Summary
Sex/Nudity: Mera shows a lot of cleavage in her green, low cut, skin-tight outfit; It’s not sexual, but Arthur is frequently without a shirt, showcasing his muscular physique.
Vulgarity/Language: 3 “S” words, 5 “h*ll,” 5 “b*stard,” 1 “S.O.B,” 1 “My G-d,” 4 “a” words, 2 “d*mn,” 1 “d*ck”
Alcohol/Drugs: Arthur and his dad drink several beers at a bar; Tom is shown drunk and passed out on the passenger seat of his truck while Arthur drives.
Blood/Gore: Atlanna washes up on shore with a bloody gash in her clothed side and a bloody cut on her face. We then see her the next morning with her bandaged up and some blood on the bandage; A man is impaled with a blade. While it’s bloodless, we do see it sticking through his back; Manta has some blood on his mouth after battling Arthur; Mera has some abrasions on her cheeks after a fight; During a long fight with Black Manta, we see burned marks on Arthur’s forearms, then a bloody stain on his shoulder as a blade stabs him there. We then see a spray of blood as he’s sliced in the back and we briefly see a bloody gash as he goes flying. He’s then stabbed again in the shoulder. Later, he wakes up with bandages on his body and wipes seaweed off his chest where we see a small, bloody cut; We see some Atlantians who wear large suits when out of the water, and some who have creepy faces struggle to breathe when their masks are smashed. One looks to have had its arm cut off and we just see water bubbling out; In the end credits scene, we see Manta’s helmet is smashed and his face has a gash across it (it’s not clearly visible); King Orm stabs a merman type creature with a trident and we see green blood come out of them briefly; When Arthur and Mera fight scary fish creatures, we see some blood squirt as they are stabbed or slashed. Arthur stabs one in the face and squishes sticks of some kind into either side of one of the creature’s face.
Violence: Lots of action violence. Atlanna washes up on shore of Tom’s lighthouse, injured. Years later, their house is attacked and Atlanna fights off many Atlantians, killing them; Manta and his crew of pirates take over a submarine, killing many of the crew with a machine gun and running one through with a blade; Arthur shows up and fights several men, smashing them into things. He then fights Manta, and spears his father in the shoulder to a wall. He pulls out the spear and they try to shoot Arthur, but a water tank or torpedo falls and pins the pirate under it. Arthur leaves him trapped, and when he can’t get free, he blows himself up (off camera); A submarine attacks Atlantis, blowing up some buildings. King Orm then slashes the sub with his trident and causes it to crash; We see some flashback training scenes involving a young Arther and Vulko; A huge tsunami strikes the coast, throwing ships and wreckage into the town, and wiping Arthur and his dad’s truck off the street. Mera helps to remove the water from Tom’s lungs to save him; King Orm and Arthur fight, with both threatening to kill the other; Mera crashes her ship into lava so that others think she and Arthur perished; We see some Atlantians who wear large suits when out of the water, and some who have creepy faces struggle to breathe when their masks are smashed. One looks to have had its arm cut off and we just see water bubbling out; There’s a large battle between Black Manta and some Atlantian soldiers against Arthur and Mera along the rooftops in Sicily. There are many explosions and lots of building destruction, with Arthur getting stabbed and sliced by Manta (and thrown around), while Mera is also chased after and targeted. At one point, she uses liquid wine from bottles as a weapon to blast one of their pursuers; An Atlantian soldier whose mask is smashed dunks his head into a toilet to be able to breathe again; When Arthur and Mera fight scary fish creatures, we see some blood squirt as they are stabbed or slashed. Arthur stabs one in the face and squishes sticks of some kind into either side of one of the creature’s face. The two then race away from swarms of these creatures as they swim down into the trench; There’s a gigantic undersea battle with creatures and fish people. A lot of creatures are wounded or die. Arthur rides a gigantic kraken type beast into battle; Arthur and Ocean Master have a one-on-one fight that ends with Arthur sparing his life; and plenty of other sci-fi and action violence. The mid-credits scene shows Manta survived and is nursed to health aboard a vessel. The blaster on his helmet goes off, burning part of the room he’s in, and he throws a knife at a picture of Aquaman on the wall.