“War for the Planet of the Apes” Review

War for the Planet of the Apes War for the Planet of the Apes

** (see below notation)
– for sequences of sci-fi violence and action, thematic elements, and some disturbing images.
Director: Matt Reeves
Starring: Andy Serkis, Woody Harrelson, Karin Konoval, Steve Zahn, Amiah Miller
Running Time: 2 hours, 20 minutes
Theatrical Release Date: July 14, 2017
Official Site

Plot SummaryAfter the apes suffer unimaginable losses, Caesar wrestles with his darker instincts and begins his own mythic quest to avenge his kind. (from IMDB.com)
Film Review When the inevitable reboot happens, it’s unusual when the new entry not only spawns subsequent films, but that they’re actually very good. Even more unusual is when each succeeding entry into the revived franchise is arguably better than the one before it. For the new prequel trilogy to the original 1968 film, Planet of the Apes, Fox has taken a serious new approach to a popular series that had spawned its own batch of sequels that varied in quality. But this new prequel series has been a well-planned out and thoughtful trilogy that is worthy of the attention of any fans of the 1968 original or science fiction in general.

It’s a unique idea to theorize just how (Spoiler alert to the 1968 original!) the Earth was taken over by apes. 2011’s Rise of the Planet of the Apes took a look at the dangers of experimentation — not only on animals, but the carelessness of creating viruses in the effort to cure human diseases. The film followed James Franco’s character Will, a scientist trying to cure Alzheimer’s disease (which his father suffers from), and his experience with one of the test serums having enhances the brain functions of a test chimp. An accident in the lab causes the program to get shut down, so Will ends up raising a baby chimp himself at home, studying his subject closely for several years. His father gives the animal the name Caesar, and the ape grows into quite an impressive animal, but he’s an extremely smart–and dangerous–ape to keep cooped up in a house attic. A domestic incident causes Caesar to be locked up in some kind of ape confinement, which eventually leads to Caesar growing bitter and rallying his kind and exposing them to the same virus that gave him his enhanced intelligence. The team of apes then escape the facility and head to the nearby Redwood Forest. As they make their way across the Golden Gate bridge, a battle breaks out, but they eventually get to the other side. Unfortunately, we soon learn that the virus that made the apes intelligent is actually deadly to humans, and it spreads quickly around the world, decimating the human population. In 2014’s Dawn of the Planet of the Apes, a decade has passed since the events of “Rise,” and the apes start to think the humans have died off. But a small group of survivors collide with the apes in an effort to find a new power source, and a bitter clash between the two species erupts. Both factions are split within itself between those who want to destroy the others and those who want peace. Caesar remains in power among the apes, but he soon has to deal with a threat from within, Koba – an ape who wants nothing more than to destroy the humans. After the two eventually come to blows with Caesar coming out on top, both the humans and apes realize war is coming, and there isn’t anything they can do to stop it.

War for the Planet of the Apes takes place a couple years after Dawn. The land is war-torn and Caesar has been in hiding in an effort to keep his family safe. But like before, trouble seems to find Caesar no matter where he is, and soon a militant faction is trying to hunt down and cut off the leader of the apes. Andy Serkis reprises his role for a third time as Caesar, turning in his most emotional and deep performance as Caesar yet. Rise had a rich human element to the story, while Dawn really began developing more of the ape characters on their own, even showing the story mostly from their perspective (whereas Rise had largely followed Will before passing the spotlight to Caesar). War opens from the perspective of human soldiers attacking the apes, but quickly shifts over to their perspective once again, following the apes as the core of the tale, and carrying it through to resolution. Back again is one of my favorite characters, Maurice, an orangutan brilliantly performed by Karin Konoval. Maurice has been by Caesar’s side since Rise and he continues to be moral support and a guide to Caesar in War. The story takes its time to get us emotionally invested in these characters once again, majoring on character and minoring on the “war” part of the story. After tragedy strikes Caesar’s family, he goes on a mission of vengeance, determined to track down The Colonel, played by Woody Harrelson, and hopefully stop his faction from interfering with his kind ever again. The film then shrinks down to follow just Caesar and a core group of his friends as he sets out on this quest. But this act poses appropriate moral questions–like how is what he’s doing any different than what Koba did previously (which Caesar was against)–and forces Caesar to question everything he believes in. Along the way, they meet a young girl who cannot speak, which they dub Nova (sound familiar?), and a former zoo ape nicknamed “Bad Ape” who is wonderfully played by Steve Zahn to provide some much-needed comic relief for the otherwise tense and taught story.

I’m not a Woody Harrelson fan–and honestly, I was less than excited to see he is the central human character this time around–but I was really impressed with his performance in this movie. Harrelson and Serkis play off each other greatly, proving once again that this trilogy has some of the best actors who truly deliver. Some may find certain aspects of the story too slow or even boring, but Reeves’ direction and the audience’s investment in the characters keeps the film engaging even when it slows up a bit. I was surprised to see a couple more prison-based sequences in this story, which is a bit of a callback to Rise, but it doesn’t comprise so much of the film that it detracts. Still, War for the Planet of the Apes is light on the “war” part, but the film has a satisfying conclusion that feels fitting. The special effects have to be mentioned, as well. The motion capture technology was truly something to sit up and take note of for Rise of the Planet of the Apes, and looking back, it isn’t quite as good today as it was then, but it was certainly a technological advancement. Things improved for Dawn even more, but with War, it’s truly an impressive feat. The detail in the way the apes are rendered is just incredible. And this is the perfect example of technology serving the story instead of the story revolving around the technology.

The content for War is on par with the previous films in the series, although the profanity use is at an all-time low for the trilogy, with just 2 uses of “h*ll” and a couple (unfortunate) uses of blasphemy. Otherwise, the film has plenty of battle-driven violence between humans and apes, and some amongst the apes. One of the more disturbing sequences have the apes finding a few dead bodies in the snow with blood from their bullet wounds showing through the snow. The apes investigate the bodies and lift the hoods covering their faces to find bloodied human faces beneath the snow. One of them springs to life when they do this and is bleeding to death from their wounds. In a later sequence, a character shoots themselves off screen. There are also other disturbing visuals, like apes strung up on wooden X’s like a crucifixion, other apes kept prisoner and whipped, and still others forced to do manual labor or falling victim to battle sequences.

Overall, War for the Planet of the Apes is a worthy conclusion to a journey that began six years ago. I haven’t seen the 1968 original film in quite some time, but I’d be curious to see how it plays out after seeing this new trilogy. I’d almost be interested in seeing a remake of it in this style, though. Regardless of where the Planet of the Apes series goes from here–if at all–this prequel trilogy has been a real surprise and a welcomed reimagining of the mythos that is Planet of the Apes.

John DiBiase (reviewed: 7/17/17)

Parental Guide: Brief Summary of Content. Sex/Nudity: None.
. Vulgarity/Language: 1 “g*dd*mn,” 2 “h*ll,” 1 “J-sus Chr-st,” 1 “Oh my G-d”
. Alcohol/Drugs: The Colonel is shown to have had a lot to drink at one point, with alcohol bottles lying around.
. Blood/Gore: Some soldiers after battle have some blood on them; We see some blood around some dead apes who’ve been shot and killed; Caesar finds three bodies lying in the snow with bloody spots on each of their corpses (bleeding through the snow) where they’d been shot. He pulls up the hoods that cover their faces and we see dried blood on their dead faces. One of the bodies springs to life when they do this and is clearly in agony from their wounds; We see some dead apes strung up on wooden poles. Some are dead, some are just barely still alive; Some apes have bullet holes in them; A character who has been shot by a crossbow has blood on their side; A man has a bloody nose; Caesar sees hallucinations of Koba who has blood all over his face.
. Violence: The film opens with a group of human soldiers attacking and bombing a wall and trench that the apes had constructed. The apes then retaliate by launching many spears, killing almost all of the soldiers; In the night, a group of soldiers infiltrate the ape camp and shoot some to death; A couple apes try to silence a larger ape but seem to accidentally kill him; Caesar chases after a gunman who repelled down on a rope and climbs up after him. He cuts the rope, causing Caesar to fall; A man pulls a gun on the apes and one of them shoots him, killing him; We see many apes in cages being hit and mistreated; Caesar is taken into custody and beaten; The Colonel holds a gun at Caesar’s forehead and threatens to shoot him. He then shoots another ape to make a point; Apes are forced to do manual labor; A man who has become infected with a disease tries to get someone else to shoot them. They refuse to, so the man shoots himself off screen; We see an army of soldiers attacking a militant base, with many casualties on both sides; A character is shot with a crossbow and tries to pull out the arrow (but maybe just breaks it off); A rocket launcher blows up a man; A character succumbs to their wounds and dies. And other sci-fi action violence.

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